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| G-Force (Guardians of Space) | |
|---|---|
| Format | Japanese animation, Science Fiction |
| Created by | Fred Ladd (Producer, Voice Director) |
| Starring | Sam Fontana Cam Clarke Barbara Goodson Jan Rabson Gregg Berger Bill Capizzi |
| Country of origin | United States |
| No. of episodes | 85 (1986) |
| Production | |
| Executive producer(s) |
Fred Ladd (Producer, Voice Director) |
| Running time | 22 minutes |
| Broadcast | |
| Original channel | TBS (1986); Cartoon Network (1995-1997, 2000); The Anime Network (2004) |
| Picture format | full-frame |
| Original airing | 1986 |
G-Force: Guardians of Space (1986) is the second of three English adaptations of Tatsunoko Production's 1972 Japanese animated television series Science Ninja Team Gatchaman, following Sandy Frank Entertainment's initial 1978 effort Battle of the Planets and preceding ADV Films recent 2005 attempt, known as just Gatchaman. With G-Force, Sandy Frank Entertainment collaborated with Turner Broadcasting to create a newer, more faithful translation of Gatchaman for a new audience, and such a translation was made possible with the relaxed television standards of the 1980s, a luxury that the more Star Wars-themed Battle of the Planets did not enjoy.
As of sometime in 2007, Sandy Frank Entertainment's rights to the original Gatchaman series, including its adaptations Battle of the Planets and G-Force: Guardians of Space (both of which are owned by Sandy Frank, and in the case of BotP, produced by) have expired and are being re-negotiated. To date, it is still unknown and unclear as to how this will affect the future of both G-Force and its predecessor Battle of the Planets.
Contents |
An excerpt from The Best of G-Force DVD:
Five teen-age champions! The evil aliens Galactor and Computor, along with their armies of androids and giant monster machines, want to take over the Earth! Galactor will stop at nothing to complete his goal, but fortunately Earth has G-Force - a team of five youngsters willing to lay down their lives to protect the planet! Join Ace Goodheart, Dirk Daring, Agatha June (Aggie), Pee Wee, and Hoot Owl (Hooty) as they fight to keep the Earth safe!
During the early-to-mid 1980s, Sandy Frank Entertainment's Battle of the Planets (or BotP) was gradually being phased off the air after a successful number of years in national syndication. Television stations began relegating the show to obscure or early morning timeslots (as typically done with older programming and/or programming on its way off the air) before dispensing of it altogether. During this period Ted Turner's cable network TBS (then known as "SuperStation WTBS") also aired the show on their channel (albeit in a slightly more edited form, with cuts for time constraints), and by 1984 WTBS was more or less the exclusive home of BotP before they too dispensed of it around 1985, effectively ending Battle of the Planets lengthy run on U.S television.
With Battle of the Planets having run its course and still holding the domestic rights to the first Gatchaman series, Sandy Frank continued to market BotP wherever they could while seeking ways to continue making use of their license. They then began negotiating with Turner Broadcasting (who was the last to air BotP on a wide scale on their TBS network) to see if they were interested in creating a newer, more faithful adaptation of Gatchaman, which would be easier to accomplish with the newly relaxed television standards of the Reagan era-1980s, the same forces that previously cracked down on most if not all violent and controversial elements on TV shows and animation throughout the 1970s which is why Battle of the Planets was so sanitized compared to the original Gatchaman. The two companies eventually came to a mutual agreement, and began collaborating on a new adaptation of Gatchaman in which Sandy Frank provided all of the necessary film, sound and print materials while Turner would do all of the actual work themselves.
To help develop this project, Turner enlisted the help of Fred Ladd, a pioneer in the field of translating and distributing Japanese animation in the U.S (with famous works such as Astro Boy, Gigantor & Kimba the White Lion, under his belt) to produce and oversee the adaptation, which would come to be known as G-Force (the same title given to the collective group of protagonists in Battle of the Planets, which in turn would be used for the same purpose on the new version), a naming decision which later proved to cause more harm than good. Unlike Battle of the Planets which enjoyed the luxury of a multi-million dollar budget coupled with some of the best talent the animation industry had to offer, G-Force was produced on a much smaller budget and scale across the board (which included talent pools and production facilities/tools), a handicap that was ultimately reflected on the final product.
For Turner's G-Force, none of Battle of the Planet's original elements (such as 7-Zark-7, 1-Rover-1, the concept of space travel and space battles and all of the added American footage) were retained, preferably replaced with a more accurate translation of the original Gatchaman series with far less alterations. Most of the plot, backstories, violence and deaths remained intact, only edited or "softened" with added dialogue where it was too explicit (i.e profanity, certain on-screen gun usage, deaths via firearms and/or overly violent means and inter-team violence). An additional music score was also in the works for G-Force, which would've replaced the score that Hoyt Curtin composed for BotP (the purpose of both being to fill in silent gaps in the original Gatchaman's soundtrack and supplement its existing music score) but those plans fell through due to budget constraints, and only a single piece of background music (excluding the new opening/closing theme) was able to be afforded (a repetitive synth instrumental that filled in almost every silent gap in the Gatchaman soundtrack).
Unlike Battle of the Planets which bounced around the Gatchaman episode order and adapted them as the producers' saw fit, G-Force followed the original Gatchaman episode order for its entire run, only skipping Gatchaman episodes 81 (due to strong content, also dropped from BotP) and 86 (for unknown reasons) for a total of 85 dubbed episodes (the same amount of episodes adapted for Battle of the Planets coincidentially). However, only the first 87 (85) of Gatchaman's 105 episodes were adapted for G-Force which resulted in the adaptation stopping cold at a cliffhanger, with many crucial plotlines (such as the deaths and revelations of certain characters and villains) left unresolved. The reasons behind this decision are not exactly known; some sources claim that only 85 episodes were contracted and bought for this adaptation while others claim that budget constraints or abandonment of the project cut it short. Also to be taken into consideration is the fact that the Gatchaman series became increasingly darker and violent towards its end, which would've made adapting those last episodes difficult and/or costly. It wasn't until ADV Films' uncut and unedited release of the first Gatchaman series in 2005-2006 that all 105 episodes were adapted and available in English.
On the creative side, the original Gatchaman character names and terms were once-again re-tooled and Americanized in G-Force for the convenience of the English-speaking market, as they first were with Battle of the Planets years earlier. Despite the existence of BotP's set of English names and terms, G-Force's producers came up with their own set in an attempt to stray away from the previous adaptation as much as possible and avoid any potential confusion between the two. From Battle of the Planets to G-Force, the heroes' names were changed to Ace Goodheart (Mark), Dirk Daring (Jason), Agatha June (Princess), Pee Wee (Keyop), Hoot Owl (Tiny), and Dr. Brighthead (Chief Anderson), while the main villains were re-named Galactor (Zoltar) and Computor (The Great Spirit) respectively. The only terms retained from BotP were the name of the group as a collective ("G-Force", in order to explain the "G" on their costumes and vehicles) and the team's ship ("Phoenix").
Some other notable changes:
- In G-Force the Pee Wee character remained mostly identical to his original Gatchaman counterpart Jinpei, as opposed to Battle of the Planets which drastically altered the Jinpei character from a typical 10 year old to Keyop, a young android/test tube experiment with a speech impediment.
- In Gatchaman and Battle of the Planets, the two primary antagonists (known as Berg Katse/Zoltar & Sosai X/The Great Spirit respectively) shared a strictly subordinate/master relationship, which was changed to more of a master/consultant relationship in G-Force, with Galactor (Berg Katse) becoming the master and Computor (Sosai X) now relegated to his consultant. The reasons for this change are unknown.
Owned and distributed by: Sandy Frank Entertainment (formerly marketed by Turner Program Services and King Features Entertainment, whose rights reverted back to Sandy Frank in 2003)
Producer: Fred Ladd
Voice Director: Fred Ladd
Additional Music Composer/Music Editor: Dean Andre
Videotape Editor: Kurt Tiegs
Post-Production: Bruce Austin Productions
Voice Cast (uncredited):
Ace Goodheart: Sam Fontana
Dirk Daring/Red Impulse: Cam Clarke
Agatha June/Peewee: Barbara Goodson
Hoot-Owl/Dr.Brighthead/Computor: Jan Rabson (some episodes), Gregg Berger (others)
Galactor/Opening Credits Announcer: Bill Capizzi
The re-naming of the various characters and terms in G-Force are highlighted as follows (in correspondence to their Gatchaman equivalents, among others):
| Gatchaman | Battle of the Planets | G-Force | Eagle Riders | OVA (Dub) | Rank | Bird Uniform | Weapon | Mecha | Japanese seiyū | Voice actor (BOTP) | Voice actor (G-Force) | Voice actor (OVA Dub) | Voice actor (Eagle Riders) | Voice actor (ADV Dub) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Ken Washio | Mark | Ace Goodheart | Hunter Harris | Ken the Eagle | G1 | Eagle | Razor boomerang | Airplane | Katsuji Mori | Casey Kasem | Sam Fontana | Eddie Frierson | Richard Cansino | Leraldo Anzaldua |
| Joe Asakura | Jason | Dirk Daring | Joe Thax | Joe the Condor | G2 | Condor | Pistol | Race Car | Isao Sasaki | Ronnie Schell | Cam Clarke | Richard Cansino | Bryan Cranston | Brian Jepson |
| Jun | Princess | Agatha June ("Aggie") | Kelly Jennar | June the Swan | G3 | Swan | Yo-yo | Motorcycle | Kazuko Sugiyama | Janet Waldo | Barbara Goodson | Lara Cody | Heidi Noelle Lenhart | Kim Prause |
| Jinpei | Keyop | Pee Wee | Mickey Dugan | Jimmy the Falcon | G4 | Swallow | Bolo | Dune Buggy | Yoku Shioya | Alan Young | Barbara Goodson | Mona Marshall | Luci Christian | |
| Ryu Nakanishi | Tiny Harper | Hoot Owl ("Hooty") | Ollie Keeawani | Rocky the Owl | G5 | Owl | Pistol | God Pheonix | Shingo Kanemoto | Alan Dinehart | Jan Rabson/Gregg Berger | Richard Epcar | Paul Schrier | Victor Carsrud |
| Gatchaman | Battle of the Planets | G-Force | Eagle Riders | OVA (Dub) |
|---|---|---|---|---|
| Dr. Kozaburo Nambu | Chief Anderson | Dr. Benjamin Brighthead | Dr. Thaddeus Keane | Dr. Kozaburo Nambu |
| ISO Director Anderson | President Kane | Anderson/Cmdr. Todd (some episodes) | Anderson | Director Anderson |
| Red Impulse / Kentaro Washio |
Col. Cronos | Red Impulse | Harley Harris | Red Spectre |
| Berg Katse | Zoltar | Galactor | Lukan | Solaris |
| Sosai (Leader) X | O Luminous One / The Great Spirit |
Computor | Cybercom | Lord Zortek |
| Galactor | Planet Spectra | Galactor or Galactor's men | Vorak | |
| Gel Sadra (Gatchaman 2) |
Mallanox |
| Gatchaman Identity change command |
Battle of the Planets Identity change command |
G-Force Identity change command |
Eagle Riders change command | OVA change command (English) | ||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Bird, Go! | Transmute! | G-Force, Transform! | Eagle Mode, NOW! |
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The revamped G-Force premiered as a "test run" on Turner's own TBS network in the summer of 1986 and ran for just a week before mysteriously disappearing afterwards. The reasons for this are still unclear and/or unknown, but it wasn't on long enough for viewer receptions or higher-ups to even gauge its viability as some have indicated. Some sources say that G-Force was created solely for overseas syndication (and not U.S consumption), and that the purpose behind the TBS "test run" was to clear a contractural agreement and also list the show as having "aired" in the U.S to help it sell around the world. Regardless of whether this was true or not, the show was syndicated internationally in the following years, finding a decent following abroad while the U.S was left without any incarnation of Gatchaman for years.
Almost a decade later, Cartoon Network, another of Ted Turner's networks and still in its infancy was in dire need of newer and fresh programming, which conveniently provided an opportunity for G-Force to make its (proper) U.S debut as Turner still had a stake in the show at the time. G-Force premiered on Cartoon Network on January 2nd, 1995, and went on to air in its entirety this time around via weekday and weekend rotation. The show did modestly rating-wise and developed a small following, but neither were on the scale that "Battle of the Planets" had and enjoyed in its day. More infamous was the mass confusion and backlash that occurred upon G-Force 's premiere. Many who recalled and were fans of its predecessor Battle of the Planets were confused and completely thrown off upon watching G-Force (due to both being culled from the same material, Gatchaman and prominently using the name "G-Force"), assuming it was an altered version of BotP at first and not a newer, entirely separate adaptation of Gatchaman. The new production was lambasted and poorly-received by fans of Battle of the Planets and to a lesser extent Gatchaman who criticized its voice acting and new character names, preferring their Gatch/BotP equivalents. The most common complaint amongst fans and new viewers alike was the distracting synth instrumental that played in the background of every episode, a result of the aforementioned budget constraints. These flaws proved to be enough for some to overlook G-Force's good qualities and avoid the show altogether, and all this among other factors (such as Cartoon Network not yet having a strong national presence) resulted in G-Force failing to be as successful as Battle of the Planets was.
By 1996 Cartoon Network shunted the show to late nights and weekends only, and it lingered there for a while until they finally cancelled it on July 5th, 1997 (the weekend before Cartoon Network's "Powerhouse" format re-launch), marking the last time G-Force has aired in its entirety in the U.S to date. Since its Cartoon Network stint, the show has made brief re-appearances in 2000 (on Cartoon Network's late-night "Toonami Midnight Run" block) and again in 2004 (on ADV's "The Anime Network"), never airing more than a handful of episodes.
Due to its obscurity and unpopularity amongst Gatch/BotP fans, and paired with the fact that ADV's recent uncut and unedited Gatchaman release has replaced it as the most accurate English adaptation, G-Force is unlikely to receive a full series or boxset release as its Battle of the Planets breathren has received (in the U.K at least [1]).
Also, as previously mentioned, Sandy Frank Entertainment's (owners of both Battle of the Planets and G-Force: Guardians of Space) distribution and marketing rights to the original Gatchaman series, including all of its adaptations and spin-offs, were believed to have expired as of now, leaving the fates of both G-Force and its predecessor Battle of the Planets up in the air and most likely killing the already slim probability of any future G-Force releases on DVD.
To date only a handful of G-Force episodes have been released on home video, totaling to just 13 of its 85 episodes when adding up all of the ones in the following DVD releases:
The fate of the show itself is uncertain, as it remains shelved for what seems like an indefinite amount of time. However, just as there is a market and following for shows such as Battle of the Planets & Robotech despite releases of their original versions (Gatchaman [2] and Macross [3] respectively) being readily available, there too is a following and demand for G-Force on home video, just not on the same scale as the former two.
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