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F. A. Nettelbeck (born 1950, Chicago) is an American poet. Although a long marginalized 'Meat' poet and contemporary of such poets as Charles Bukowski, Douglas Blazek, and Lyn Lifshin, et al, he has also worked outside literary establishments for many years and created a unique, yet distinctly American poetry that partakes of several avant-garde traditions. In the early 1970's he began work on a long poem that was to become an underground classic when it was published in 1979: Bug Death. Bug Death was created using cut-up and collage texts combined with original writing and represents a major advance in literary technique and thinking, advancing upon the innovations promoted by Brion Gysin and William Burroughs of a previous generation. The book was carefully written, edited, crafted, and designed over several years, in a multi-layered process involving much more than the usual processes of literary creation. It is a unique and stunningly effective combination of poetry, visual art, and documentation that has no real parallel. Nettelbeck's book has had a far-reaching influence on his contemporaries and on younger poets, not only because of its technical innovations, but because of the authentic and deeply-felt lyricism that pervades its pages. His ground breaking literary magazine, This Is Important (1980-1997), published such writers as William S. Burroughs, Wanda Coleman, John M. Bennett, Jack Micheline, Allen Ginsberg, Robin Holcomb, Charles Bernstein, John Giorno, etc., etc., and has now reached legendary status. Meant to be printed in large numbers and distributed free, copies of This Is Important made their way all over the world and were eagerly collected and read by thousands of people. His other publication of note was one of the last great Small press mimeo magazines: Throb (1971), publishing Al Masarik, Susan Fromberg Schaeffer, Gerald Locklin, Joel Deutsch, and the now famous, 'Charles Bukowski answers 10 easy questions'. Nettelbeck's other volumes are works of a poet who is continually evolving and pushing forward the boundaries of what is possible in poetry. His work, publications, and papers are collected in the Ohio State University Avant Writing Collection and the Sackner Archive of Concrete and Visual Poetry. His autobiography is published in Contemporary Authors, Volume 184 (Gale Research). He lives in southern Oregon's Sprague River Valley.
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"Nettelbeck's world (and his picture may be chillingly accurate) is pierced with holes through which we are continually in danger of dropping, or being sucked." -Robert Peters
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