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| Relative key | E♭ major | |
|---|---|---|
| Parallel key | C major | |
| Enharmonic | ||
| Component pitches | ||
| C, D, E♭, F, G, A♭, B♭, C | ||
C minor (abbreviated c or cm) is a minor scale based on C, consisting of the pitches C, D E♭, F, G, A♭, and B♭. The harmonic minor raises the B♭ to B♮.
Its key signature consists of three flats (see below: Scales and keys).
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In the Baroque period, music in C minor was usually written with a two-flat key signature, and some modern editions of that repertoire keep it that way.
Its relative key is E-flat major, and its parallel major is C major.
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary.
Of the two piano concertos that Mozart wrote in a minor key, one of them is in C minor, No. 24, K. 491.
C minor has been associated with heroic struggle since Beethoven's time, with the quintessential work in the key being his Symphony No. 5; see Beethoven and C minor. The fact that Brahms's Symphony No. 1 is in C minor contributed to it being nicknamed "Beethoven's Tenth" (Beethoven's actual Symphony No. 10 in E flat major may have had a significant central C minor section in the first movement). Three of Anton Bruckner's ten numbered symphonies are in C minor.
See also: List of symphonies in C minor
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| lower case letters are minor the table indicates the number of sharps or flats in each scale |
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